Post by 1976 on Oct 21, 2006 10:12:48 GMT -5
uruguayo said:
Our friend John Gibbons had received recently a copy of An Other Cup from Atlantic Records.He had posted an interesting review of the album on his web site dashing.com.
Here is it:
An Other Cup OCT 10
Posted by John Gibbons
"An Other Cup" in many ways cannot be compared directly to any of Cat Stevens' earlier albums. Yet at the same time it has elements of each facet of his career. There are orchestral arrangements that harken back to Matthew & Son, simple and folky acoustic guitar driven tracks like those of Tea for the Tillerman, a melody and lyric from Foreigner, arrangements that would fit nicely on Numbers and all with a message that is completely compatible with the nasheeds of Yusuf Islam. While its parts may be compared to the work of Cat Stevens, as an album there is a confidence that is unique to "An Other Cup." Yusuf sounds self assured, and often seems to be having a lot of fun. It's obvious he very much believes in the words he is singing, and the music that accompanies them.
Midday
Midday is one of the albums best songs. It is a wonderful, upbeat and catchy track with a terrific arrangement. The piano, acoustic guitars and horns come together to create a song that's not really like anything he's done before, but still feels right at home with his earlier work. Yusuf's voice sounds fantastic and compliments the melody perfectly.
Heaven/Where True Love Goes
This is the first single from the album, and many of you have probably heard it by now. I find it strangely ironic that the first new "Cat Stevens" song most people will hear is actually a re-working one of his classics, a section of "The Foreigner Suite." By the careful replacement of the word "girls" with "souls" and the addition of a chorus Yusuf has changed the meaning of the song. It alludes to his fateful swim all those years ago in Malibu, when supposedly God saved him from drowning. I do like this song, it's grown on me. But I'm not entirely sure I care for the liberty he's taken in re-writing his old music.
Maybe There's A World
If you were hoping for a return of the Cat Stevens of 1970-1972 then "Maybe There's A World" is the song for you. Sadly, it's the only one like it on the album. This is far and away the best song on the record. It has a beautiful melody and soft acoustic guitar arrangement that once again Yusuf sounds great on. The lyrics touch on the same themes that defined his career. It is a fantastic, first rate "Cat Stevens" song.
I have dreamt of an open world, borderless and wide
Where the people move from place to place and nobody's taking sides
Maybe there's a world that I'm still to find
Maybe there's a world that I'm still to find
Open up a world and let me in
Then there'll be a new life to begin
One Day At A Time
This cut is also acoustic guitar driven but is a much slower and darker sounding. While not one of my favorites on the album, it's well done and works nicely here.
When Butterflies Leaves
It's here at track 5 that the album changes. This is the first of the surprises I alluded to in a previous post. Butterflies is an instrumental which includes a brief spoken poem by Yusuf. Clocking in at 41 seconds, if it's not your cup of tea at least it doesn't last long. But I found it a bit jarring when I was first listening to the album.
In The End
What "In The End" lacks in subtlety it makes up for with a pretty piano and guitar arrangement with yet another excellent melody. I wouldn't have thought it would be possible to write a catchy song about how good people are going to heaven and bad people won't, but he did it. It's overly preachy, way too direct and will rub some people the wrong way. Having said that, I really like it and find myself humming it often.
You can't bargain with the truth
'Cause one day you're gonna die
And good's going high
And evil's going down
In the end
Don't Let Me Be Misunderstood
It's no secret that Yusuf Islam has been at the center of controversy many times over the last 28 years. He has many talents but public relations isn't one of them. Therefore it's fitting that he decided to cover the perfectly titled "Don't Let Me Be Misunderstood." It's soaked in an orchestral arrangement and slowed down significantly from the original. I would have preferred a more upbeat approach to the song, which if done well may have been an excellent single. But Yusuf had something to say here, and must have felt this was the best way to get his feelings across to the listener.
I Think I See The Light
Another surprise is the re-recording of the Cat Stevens classic "I Think I See The Light." As I said earlier I'm not really a big fan of Yusuf re-writing his old songs to fit his new message. The original was a love song, but once again with the careful removal of the word "girl" it's a religious statement. The song is saved however with a bluesy acoustic guitar arrangement. Curiously Yusuf doesn't sing the "coming through me, coming to me, giving me a second sight" part of the chorus. To my ears it leaves a hole, but it might just be my familiarity with the original. Interestingly he does sing those lines near the end, which means they weren't removed because of their meaning. Speaking of the end, that's where the song really shines. Yusuf is clearly having a lot of fun on this track and it shows. While I'd rather him not re-record his older work, and though I do prefer the original, this is a unique and interesting take on the song.
Whispers From A Spiritual Garden
Whispers is an almost middle eastern sounding, hypnotic instrumental that includes a spoken poem inspired by the 13th century Sufi mystic, Jalaluddin Rumi. I thought it was really beautiful. I'm not sure if he wrote it, as it says it was "inspired by." But in any case it's nice.
The eternal source of love is implanted in every part of existence
The desire for another
Though night and day outwardly appear as enemies
Yet both serve one purpose
Each seeking the other
The Beloved
The Beloved is an upbeat rhythmic track that musically is reminiscent of something from Numbers. This is another religious song, this time about Islamic prophet Muhammad. It features a second vocalist, who is not credited on my promo CD.
He was born to be the beloved
A will of the divine
He was born to be the beloved
He was born to guide
Green Fields, Golden Sands
The press kit that accompanied the album describes Green Fields as, "a never-released song he wrote in 1968 and which might have found its way on to Mona Bone Jakon." "Good songs never die," Yusuf says. It later compares it to John Lennon's Imagine. I'm not sure it's quite in the same league as that, but it is a lovely string drenched lullaby that is a perfect closer for the album.
A small house and an olive tree
To keep and feed my family
Let the wind blow hard I don't mind
One day we'll all realize I'm not the only one
Just raise your eyes up and you'll be gone
To those green fields and golden sands
That's all I need that's all I want
Sadly that's where the album ends for me. My copy is missing track 12, which is titled "Badmind."
"An Other Cup" is not the best album he has ever recorded. It is however filled with many wonderful songs, and as a whole really speaks to where Yusuf is in his life. Midday and Maybe There's A World are so good that they alone make the album worth owning. I've written many reviews of Yusuf's work over the years, and this is by far the best thing he has done since leaving the music business. It's better than some of his albums as Cat Stevens, not as good as others. But this is Yusuf today, and at moments he's as good as he's ever been. Overall it's an album that Cat Stevens fans will enjoy and want to own. It should also appeal to his new Muslim fans due to the religious themes of the songs. So maybe in a small way "An Other Cup" does "bridge the cultural gaps others are sometimes frightened to cross."
this was already posted couple of days before.
also, since you're new, please read the Terms of Use section:
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majicat.proboards6.com/index.cgi?board=TOU&action=display&n=1&thread=1712&page=1
thanks for the thought, tho